<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" >

<channel><title><![CDATA[CL/R SIG - Book Reviews]]></title><link><![CDATA[https://www.clrsig.org/book-reviews]]></link><description><![CDATA[Book Reviews]]></description><pubDate>Wed, 25 Feb 2026 00:53:58 -0800</pubDate><generator>Weebly</generator><item><title><![CDATA[Books Too Good to Miss for Older Readers]]></title><link><![CDATA[https://www.clrsig.org/book-reviews/books-too-good-to-miss-for-older-readers]]></link><comments><![CDATA[https://www.clrsig.org/book-reviews/books-too-good-to-miss-for-older-readers#comments]]></comments><pubDate>Mon, 23 Feb 2026 20:57:40 GMT</pubDate><category><![CDATA[Books Too Good To Miss]]></category><guid isPermaLink="false">https://www.clrsig.org/book-reviews/books-too-good-to-miss-for-older-readers</guid><description><![CDATA[Nancy Brashear and Carolyn Angus&nbsp;Here is a baker&rsquo;s dozen of our favorite books for older readers published in 2025 that did not receive Children&rsquo;s Literature and Reading reviews&mdash;books we would like to see added to middle school and high school library collections.&nbsp;   Away (Alone #2). Megan E. Freeman. (2025). Aladdin.&nbsp;In this companion to Alone (2021), the entire community of Redhawk, Colorado, is rounded up overnight because of &ldquo;imminent threat.&rdquo; Her [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span><span style="color:rgb(0, 0, 0); font-weight:700">Nancy Brashear and Carolyn Angus&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Here is a baker&rsquo;s dozen of our favorite books for older readers published in 2025 that did not receive Children&rsquo;s Literature and Reading reviews&mdash;books we would like to see added to middle school and high school library collections.&nbsp;</span></span><br /><span></span></div>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:127px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/away.jpg?1771880684" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Away </span><span style="color:rgb(0, 0, 0); font-weight:700">(Alone #2). Megan E. Freeman. (2025). Aladdin.</span><span style="color:rgb(0, 0, 0)">&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">In this companion to </span><span style="color:rgb(0, 0, 0)">Alone </span><span style="color:rgb(0, 0, 0)">(2021), the entire community of Redhawk, Colorado, is rounded up overnight because of &ldquo;imminent threat.&rdquo; Herded onto trains and with phones confiscated, they are transported to Camp Rogers, an evacuation center with armed guards. It is there that four young people (ages 11 to 14) meet, their suspicions melding them into an investigative group searching for the truth, especially after the governor&rsquo;s Council for Displaced Coloradans pressures their families to sell their homes. As evidenced through their multiple points of view augmented by introspective free-verse poetry, film scenes scripts, journal articles, letters, radio broadcast transcripts, newsletters, camper interviews, and incident command advisories, they uncover an unimaginable conspiracy and devise an ingenious scheme to save their families, city, and state. (Gr 6-8)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:262px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/bold-words-from-black-men.jpg?1771880706" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Bold Words from Black Men: Insights and Reflections from 50 Notable Trailblazers Who Influenced the World </span><span style="color:rgb(0, 0, 0); font-weight:700">(The Bold Words #2). Tamara Pizzoli. Illus. by Desire Cesar &ldquo;El&rsquo;Cesart&rdquo; Ngabo. (2025). Denene Millner.&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">In this companion to </span><span style="color:rgb(0, 0, 0)">Bold Words from Black Women </span><span style="color:rgb(0, 0, 0)">(2022), Pizzoli spotlights 50 Black men from a variety of backgrounds and experiences including Olivier Rousteing, Nelson Mandela, Neil deGrasse Tyson, and Jesse Owens. Each inspiring entry includes a digitally-created portrait of the person on either the recto or verso page of a colorful double spread with his quotation in bold print, brief biographical information, and a statement about the quote on the opposing page. The final double spread cements the book&rsquo;s message with the words &ldquo;BELIEVE IN BLACK MEN&rdquo; in bright orange against a vivid turquoise background. (introduction) (Gr 6 Up)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:135px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-corruption-of-hollis-brown.jpg?1771880760" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">The Corruption of Hollis Brown. </span><span style="color:rgb(0, 0, 0); font-weight:700">K. Acrum. (2025). Harper.</span></span><br /><span><span style="color:rgb(0, 0, 0)">In this novel-in-verse horror story, troubled 17-year-old Hollis Brown, who feels trapped in dead-end rural and haunted Rose Town, encounters Walt Eidelman, a 100-year-old ghost from the 1900s who has body-hopped into more than 200 people over the decades. Before Walt possesses Hollis&rsquo;s body and moves into his mind, they make a deal: Hollis gets a personality &ldquo;do-over&rdquo; from Walt, and the ghost-visitor gets a safe place to &ldquo;ride&rdquo; inside him. The boys learn to work together amidst growing romantic feelings, and, with the help of Hollis&rsquo;s two best gal friends, they must find a way to break Rose Town&rsquo;s curse for a better future for all. (</span><span style="color:rgb(0, 0, 0)">resources for recipes in the text, author&rsquo;s note</span><span style="color:rgb(0, 0, 0)">) </span><span style="color:rgb(0, 0, 0)">(Gr 9-12)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:147px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/fascinating-fungi.jpg?1771880767" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Fascinating Fungi: Nourishers, Killers, Connectors, and Healers. </span><span style="color:rgb(0, 0, 0); font-weight:700">Karen Latchana Kenney. (2025). Twentieth-First Century.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Kenney provides an intriguing account of the evolution of fungal organisms once classified as plants but now recognized by scientists as belonging to their own kingdom, the Fungi Kingdom. The engaging format of short chapters with interest-catching titles, informative text boxes, and captioned full-color photographs and diagrams explores the diversity of species in the fungal world. In the final chapter, &ldquo;Planet Savers, Future Builders,&rdquo; Kenney considers some of the possibilities of mycorestoration as scientists continue to discover ways to use fungi to help solve environmental problems and restore balance in nature. </span><span style="color:rgb(0, 0, 0)">(ways to connect with mycophiles, glossary, source notes, selected bibliography, further resources, index)</span><span style="color:rgb(0, 0, 0)"> (Gr 6 Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:125px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/how-the-word-is-passed.jpg?1771880792" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">How the Word Is Passed: Remembering Slavery and How It Shaped America </span><span style="color:rgb(0, 0, 0); font-weight:700">(Young Readers Edition)</span><span style="color:rgb(0, 0, 0); font-weight:700">. </span><span style="color:rgb(0, 0, 0); font-weight:700">Clint Smith. Adapted by Sonja Cherry-Paul. (2025). Little, Brown.&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">Cherry-Paul&rsquo;s engaging and accessible adaptation of Smith&rsquo;s </span><span style="color:rgb(0, 0, 0)">How the Word Is Passed: A Reckoning with the History of Slavery in America </span><span style="color:rgb(0, 0, 0)">(2021) takes readers on a tour of landmarks and monuments to explore the legacy of slavery in America: Monticello Plantation, the Whitney Plantation, Angola Prison, Blandford Cemetery, Galveston Island, New York City, and Senegal&rsquo;s Gor&eacute;e Island. Smith&rsquo;s personal account of visits to these historical sites and the conversations he had with people he met encourages reflection on how the history of enslavement in America relates to our present-day lives. </span><span style="color:rgb(0, 0, 0)">(author&rsquo;s note, afterword, glossary, selected sources, index) </span><span style="color:rgb(0, 0, 0)">(Gr 6 Up)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:132px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-incredibly-human-henson-blayze.jpg?1771880820" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">The Incredibly Human Henson Blayze. </span><span style="color:rgb(0, 0, 0); font-weight:700">Derrick Barnes. (2015). Viking.</span></span><br /><span><span style="color:rgb(0, 0, 0)">Black 13-year-old Henson Blayze, a talented football player who is only an eighth grader, is recruited for Midnight High School&rsquo;s varsity team of mostly white boys in Great Mountain, Mississippi. After a stellar performance during the first half of the Midnight Marauder&rsquo;s opening game, Henson is outraged to learn that his ten-year-old friend, Menkah Jupiter, has been badly beaten by state troopers. When he informs the cheering crowd at halftime that he is heading to the hospital to see the boy, they turn on him. &ldquo;Just. Play. BALL!&rdquo; In the midst of Henson&rsquo;s fall from grace, racial dynamics create high tension and a near-death experience, and his father&rsquo;s revelation about the family trust and legacy forces Henson to make hard choices about his future. </span><span style="color:rgb(0, 0, 0)">(author&rsquo;s note) </span><span style="color:rgb(0, 0, 0)">(Gr 6-8)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:135px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-invisible-wild.jpg?1771880859" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">The Invisible Wild. </span><span style="color:rgb(0, 0, 0); font-weight:700">Nikki Van De Car. (2025). Running Press Teens.&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">Sixteen-year-old Emma Arruda, who lives on the Big Island of Hawai&lsquo;i, comes upon a non-sensible teen she nicknames &ldquo;Hilo&rdquo; living in a shack in the woods and agrees to secretly help him stay hidden. </span><span style="color:rgb(0, 0, 0)">Emma realizes that she has reawakened her lost childhood gift of seeing the menehune, the legendary spirits and original island inhabitants, whose home is threatened by construction in the old forest in which they have always dwelled. When menehune leader, Koa, expresses his anger at Hilo and Emma for perceived slights against nature, he declares that the only way he will forgive them (and lift Hilo&rsquo;s curse) is by their stopping the deforestation and development before the sacred land of the menehunes is destroyed</span><span style="color:rgb(71, 70, 70)">&mdash;or by finding a new solution. </span><span style="color:rgb(71, 70, 70)">(author&rsquo;s note) </span><span style="color:rgb(0, 0, 0)">(Gr 9-12)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:133px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-last-bookstore-on-earth.jpg?1771880887" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">The Last Bookstore on Earth. </span><span style="color:rgb(0, 0, 0); font-weight:700">Lily Braun-Arnold. (2025). Delacorte.</span><span style="color:rgb(0, 0, 0); font-weight:700">&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">In this post-apocalyptic world, 17-year-old Liz has not left the suburban New Jersey bookstore where she worked (or its upstairs apartment) throughout the year following the acid-rain Storm that killed her family and destroyed the town, leaving it deserted and without electricity or water. Occasional travelers stop by to trade food, batteries, or other useful items for books, stories, and mail. When an intruder, Maeve, breaks into the store, Liz reluctantly lets her stay, unaware of the angry gang in pursuit of her. Using Maeve&rsquo;s construction skills, they work on Liz&rsquo;s repair to-do list, and, together, they raid deserted stores and homes for supplies. When the gang finds them and a second Storm hits, Liz and Maeve must use their wits to survive. (Gr 9-12)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:147px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/mindworks.jpg?1771880907" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Mindworks. </span><span style="color:rgb(0, 0, 0); font-weight:700">Neal Shusterman. (2025). Simon &amp; Schuster.&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">The intriguing design of the jacket of </span><span style="color:rgb(0, 0, 0)">Mindworks</span><span style="color:rgb(0, 0, 0)">,</span><span style="color:rgb(0, 0, 0)"> </span><span style="color:rgb(0, 0, 0)">&ldquo;an uncanny compendium of short stories,&rdquo; will grab the attention of both fans and those new to the writings of Schusterman, a master at crafting speculative fiction. The 43 short stories are organized in seven sections with equally intriguing titles: Forces of Nature; Angels, Demons, Monsters, and a Tree; The Wheel of Destiny; Attics, Basements, Windows, and Walls; The Living, the Dead, and the Undecided; I&rsquo;m Not Myself Today; and You Reap What You Sow (The World of Scythe). Because of its length, moving around in </span><span style="color:rgb(0, 0, 0)">Mindworks,</span><span style="color:rgb(0, 0, 0)"> rather than a straight-through reading, should be most satisfying. (Gr 6 Up)</span><span style="color:rgb(238, 0, 0)">&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:178px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/phenomenal-moment.jpg?1771880927" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Phenomenal Moments: Revealing the Hidden Science Around Us. </span><span style="color:rgb(0, 0, 0); font-weight:700">Felice Frankel. (2025). MiTeen Press. </span><span style="color:rgb(0, 0, 0)">&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">Science photographer and Massachusetts Institute of Technology researcher Frankel introduces readers to a collection of full-color photographic images related to patterns in the world around us. </span><span style="color:rgb(0, 0, 0)">Phenomenal Moments </span><span style="color:rgb(0, 0, 0)">includes five themed sections: light and shadow, form, traces, transformations, and surfaces. Each section includes five or six entries with two double spreads: a strip of a photograph of an object or scene and the question &ldquo;What Do You See?&rdquo; set against a solid-color background followed by a double-spread page with a close-up photograph and &ldquo;Moment&rdquo; (why and how she made the photo) and &ldquo;Phenomenon&rdquo; (the science involved in what you see) text boxes. </span><span style="color:rgb(0, 0, 0)">(&ldquo;About the Chapter Openers&rdquo;) </span><span style="color:rgb(0, 0, 0)">Gr 6 Up)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:134px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-raven.jpg?1771880960" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">The Raven &amp; Other Writings </span><span style="color:rgb(0, 0, 0); font-weight:700">(Monstrous Classics Collection). Edgar Allan Poe. (2025). Aladdin. </span><span style="color:rgb(0, 0, 0)">&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">This collection of writings of Edgar Allan Poe (1809-1848), who is best known for his classic gothic horror short stories and poems, includes 11 chilling and macabre tales (such as &ldquo;The Murders in the Rue Morgue,&rdquo; &ldquo;The Pit and the Pendulum,&rdquo; and &ldquo;The Tell-Tale Heart&rdquo;) and16 poems (such as &ldquo;The Raven,&rdquo; &ldquo;To One in Paradise, and &ldquo;Annabel Lee&rdquo;). Two other new books in the Monstrous Classics Collection were published simultaneously: Washington Irving&rsquo;s </span><span style="color:rgb(0, 0, 0)">The Legend of Sleepy Hollow &amp; Other Stories </span><span style="color:rgb(0, 0, 0)">and Gaston Leroux&rsquo;s</span><span style="color:rgb(0, 0, 0)"> The Phantom of the Opera.&rdquo;</span><span style="color:rgb(0, 0, 0)">&nbsp; (Gr 6 Up)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:139px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/skin.jpg?1771880980" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">(S)kin. </span><span style="color:rgb(0, 0, 0); font-weight:700">Ibi Zoboi. (2025). Versify.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Inspired by Caribbean magical folklore, </span><span style="color:rgb(0, 0, 0)">(S)kin</span><span style="color:rgb(0, 0, 0)">, a fantasy-in-verse told through the first-person points of view of two teens in alternating chapters, entwines the fates of Black 15-year-old Marisol (and her mother, Lourdes), poor recent immigrants from Haiti, and 17-year-old Genevieve (and her father&mdash;a professor of the occult, stepmother, and twin baby half-siblings) in Brooklyn. Marisol and Lourdes come from a proud ancestral line of soucouyants (skin-shedding, flying fireball witches who sip on the life force of their victims); Genevieve, whose biological mother was a Black woman, lives with her privileged White family and battles daily against burning skin. After Lourdes and her daughter move into Genevieve&rsquo;s home to help with the babies, dark secrets are exposed, fiery nights and revenge explode, and the girls literally get to see the world through each other&rsquo;s eyes. </span><span style="color:rgb(0, 0, 0)">(author&rsquo;s note)</span><span style="color:rgb(0, 0, 0)"> (Gr 9-12)</span><span style="color:rgb(0, 176, 80)">&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:139px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/who-owns-the-moon.jpg?1771881000" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Who Owns the Moon?: And Other Conundrums of Exploring and Using Space. </span><span style="color:rgb(0, 0, 0); font-weight:700">Cynthia Levinson &amp; Jennifer Swanson. (2025). Margaret Quinlin.&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">Levinson and Swanson address a series of intriguing questions such as &ldquo;Why go back to the Moon now?&rdquo; and &ldquo;So how can people govern themselves and others to maintain peace and order there?&rdquo; The format of the narrative text with informative insets and text boxes accompanied by a wealth of captioned photographs and diagrams offers readers a timely and accessible history of space exploration and the present-day conundrums related to new technologies to get to the Moon and how to govern activity in space as well as opportunities for space-related careers. </span><span style="color:rgb(0, 0, 0)">(acronyms, authors&rsquo; note, picture credits, source notes, further resources, bibliography, index) </span><span style="color:rgb(0, 0, 0)">(Gr 6 Up)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="paragraph"><span><span style="color:rgb(0, 0, 0); font-weight:700">Nancy Brashear </span><span style="color:rgb(0, 0, 0)">is Professor Emeritus of English at Azusa Pacific University, in Azusa, California. </span><span style="color:rgb(0, 0, 0); font-weight:700">Carolyn Angus</span><span style="color:rgb(0, 0, 0)"> is former Director of the George G. Stone Center for Children&rsquo;s Books, Claremont Graduate University, in Claremont, California.&nbsp;</span></span></div>]]></content:encoded></item><item><title><![CDATA[Books Too Good to Miss for Younger Readers]]></title><link><![CDATA[https://www.clrsig.org/book-reviews/books-too-good-to-miss-for-younger-readers2364096]]></link><comments><![CDATA[https://www.clrsig.org/book-reviews/books-too-good-to-miss-for-younger-readers2364096#comments]]></comments><pubDate>Tue, 10 Feb 2026 14:30:52 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.clrsig.org/book-reviews/books-too-good-to-miss-for-younger-readers2364096</guid><description><![CDATA[Nancy Brashear and Carolyn AngusHere are 20 of our favorite books for younger readers published in 2025 that did not receive Children&rsquo;s Literature and Reading reviews&mdash;books we would like to see added to classroom, school, and family library collections.&nbsp;   The Faerie Isle: Tales and Traditions of Ireland&rsquo;s Forgotten Folklore. S&iacute;ne Quinn. Illus. by Dermot Flynn. (2025). Candlewick.&nbsp;In this collection of 16 Irish myths and legends, faeries (&ldquo;good people&rdq [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span><span style="color:rgb(0, 0, 0); font-weight:700">Nancy Brashear and Carolyn Angus</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Here are 20 of our favorite books for younger readers published in 2025 that did not receive Children&rsquo;s Literature and Reading reviews&mdash;books we would like to see added to classroom, school, and family library collections.&nbsp;</span></span><br /><span></span></div>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:178px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-faerie-isle.jpg?1770735642" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">The Faerie Isle: Tales and Traditions of Ireland&rsquo;s Forgotten Folklore. </span><span style="color:rgb(0, 0, 0); font-weight:700">S&iacute;ne Quinn. Illus. by Dermot Flynn. (2025). Candlewick.&nbsp;</span></span><br /><span><span style="color:rgb(71, 70, 70)">In this collection of </span><span style="color:rgb(0, 0, 0)">16</span><span style="color:rgb(71, 70, 70)"> Irish myths and legends, faeries (&ldquo;good people&rdquo;) manifest in many forms, each introduced by its </span><span style="color:rgb(0, 0, 0)">English</span><span style="color:rgb(71, 70, 70)"> and Gaelic name followed by a description of its origins, </span><span style="color:rgb(0, 0, 0)">behaviors, and temperament; insets with related facts; and a traditional </span><span style="color:rgb(71, 70, 70)">story. For example, </span><span style="color:rgb(0, 0, 0)">the entry &ldquo;M</span><span style="color:rgb(71, 70, 70)">ermaid </span><span style="color:rgb(71, 70, 70)">(Maighdean Mhara)&rdquo;</span><span style="color:rgb(71, 70, 70)"> provides background on the </span><span style="color:rgb(0, 0, 0)">aquatic</span><span style="color:rgb(238, 0, 0)"> </span><span style="color:rgb(71, 70, 70)">creature followed by a short tale, &ldquo;The Northern Lights.&rdquo; Other faeries </span><span style="color:rgb(0, 0, 0)">celebrated in this lavishly illustrated book </span><span style="color:rgb(71, 70, 70)">include a wailing banshee, faerie dog, lucky leprechaun, seductive selkie, and headless horseman. </span><span style="color:rgb(71, 70, 70)">(foreword, glossary, sources)</span><span style="color:rgb(71, 70, 70)"> </span><span style="color:rgb(0, 0, 0)">(Gr 3 Up)&nbsp;</span></span><br /></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:147px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/flat-stanley.jpg?1770735703" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Flat Stanley: His Original Adventure!: The Graphic Novel. </span><span style="color:rgb(0, 0, 0); font-weight:700">Jeff Brown. Adapted by SB Wilson. Illus. by Corey Egbert. (2025). HarperAlley.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">In this full-color graphic novel adaptation of Brown&rsquo;s </span><span style="color:rgb(0, 0, 0)">Flat Stanley </span><span style="color:rgb(0, 0, 0)">(1964),</span><span style="color:rgb(0, 0, 0)"> </span><span style="color:rgb(0, 0, 0)">after being accidentally flattened by a bulletin board that falls from his bedroom wall, Stanley discovers some advantages to being flat. For example, he is able to travel across the country by mail in an envelope and fly like a kite. However, bullied for being different, Stanley doesn&rsquo;t want to be flat forever, and his brother comes up with an ingenious idea to restore his former round shape. (PreK Up)</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:204px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/a-gift-of-dust.jpg?1770735808" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">A Gift of Dust: How Saharan Plumes Feed the Planet. </span><span style="color:rgb(0, 0, 0); font-weight:700">Martha Brockenbrough. Illus. by Juana Martinez-Neal. (2025). Knopf.</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Brockenbrough&rsquo;s lyrical text and Martinez-Neal&rsquo;s exquisite mixed-media artwork in which scattered golden specks of dust move across the pages tell the history of a Saharan dust plume and its route from North Africa to the Amazon&mdash;a wind-blown gift of dust that sustains &ldquo;what lives today / and what will be born . . . / tomorrow.&rdquo; </span><span style="color:rgb(0, 0, 0)">(more information about dust, resources for further study) </span><span style="color:rgb(0, 0, 0)">(Gr 3 Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:302px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-house-on-the-canal.jpg?1770735867" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">The House on the Canal: The Story of the House that Hid Anne Frank. </span><span style="color:rgb(0, 0, 0); font-weight:700">Thomas Harding. Illus. by Britta Teckentrup. (2025). Candlewick Studio.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Harding&rsquo;s spare text paired with Teckentrup&rsquo;s exquisite illustrations tracks almost 400 years of history for the tall, narrow building at 263 Prinsengracht, Amsterdam, in which Anne Frank and seven other Jews hid during the Nazi occupation of the Netherlands in World War II. The original structure, built in 1635, which Anne Frank called &ldquo;the old house on the canal,&rdquo; has served as a home, barn, business, warehouse, hiding place (its annex), and, currently, the Anne Frank Haus museum. </span><span style="color:rgb(0, 0, 0)">(opening note, detailed timeline)</span><span style="color:rgb(0, 0, 0)"> (Gr 3 Up)</span><span style="color:rgb(0, 0, 0); font-weight:700"> </span></span>&#8203;</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:138px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/how-to-say-goodbye-in-cuban.jpg?1770736135" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">How to Say Goodbye in Cuban. </span><span style="color:rgb(0, 0, 0); font-weight:700">Daniel Miyares. (2025). Anne Schwartz.</span><span style="color:rgb(0, 0, 0)">&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">This historical fiction graphic novel (a memoir of the author&rsquo;s father, Carlos Miyares) begins in 1956. Twelve-year-old Carlos and his family live in the Cuban countryside until Papi wins the lottery and they move to a city where he fulfills his dream of owning a furniture workshop. After Fidel Castro returns from exile and begins the Revolution to overthrow the government of President Batista, the Miyares family&rsquo;s business is seized, and Papi &lsquo;disappears&rsquo; for one year before returning to help his family, along with others, escape to Miami, Florida, on a fishing boat to begin a new life. </span><span style="color:rgb(0, 0, 0)">(author&rsquo;s note) </span><span style="color:rgb(0, 0, 0)">(Gr 3 Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:252px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/interrupting-chicken-saves-the-nutcracker.jpg?1770736187" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Interrupting Chicken Saves the Nutcracker</span><span style="color:rgb(238, 0, 0); font-weight:700"> </span><span style="color:rgb(0, 0, 0); font-weight:700">(Interrupting Chicken #4). David Ezra Stein. (2025). Candlewick.&nbsp;&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Papa is taking Chicken to see </span><span style="color:rgb(0, 0, 0)">The Nutcracker. </span><span style="color:rgb(0, 0, 0)">Reminded not to interrupt the performance, of course, she does&mdash;three times before they are kicked out. When Papa discovers that the little red chicken has put the nutcracker in his backpack, he explains that the show can&rsquo;t be finished without it. They return to the theater, and she gives the onstage narrator &ldquo;What HaPPiND To The NUTCRAKER&rdquo; by ChiKN to read to the audience. </span><span style="color:rgb(0, 0, 0)">(game) </span><span style="color:rgb(0, 0, 0)">(PreK Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:206px;position:relative;float:left;max-width:100%;;clear:left;margin-top:9px;*margin-top:18px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/in-the-world-of-whales.jpg?1770736293" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">In the World of Whales. </span><span style="color:rgb(0, 0, 0); font-weight:700">Michelle Cusolito. Illus. by Jessica Lanan. (2025). Neal Porter.</span><span style="color:rgb(0, 0, 0)">&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Cusolito&rsquo;s lyrical third-person text and Lanan&rsquo;s blue-toned underwater scenes tell the true story of a free diver&rsquo;s experience witnessing the birth of a calf while photographing a pod of sperm whales in the Azores. A double gatefold beautifully conveys this human-and-whale connection. &ldquo;Man and whales dance / an underwater ballet. / They twist and twirl, / spin and spiral.&rdquo; </span><span style="color:rgb(0, 0, 0)">(diagram of a whale&rsquo;s anatomy; information on diving without breathing apparatus, whales, and resources; author&rsquo;s and illustrator&rsquo;s notes) </span><span style="color:rgb(0, 0, 0)">(PreK Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:189px;position:relative;float:left;max-width:100%;;clear:left;margin-top:15px;*margin-top:30px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/island-storm.jpg?1770736475" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Island Storm. </span><span style="color:rgb(0, 0, 0); font-weight:700">Brian Floca. Illus. by Sydney Smith. (2025). Neal Porter.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">&ldquo;Now take my hand / and we&rsquo;ll go see / the sea before the storm.&rdquo; Two young siblings set out alone on an adventure on their island. As the storm intensifies, they repeatedly ask each other whether they have had enough, or should try for more. &ldquo;You pull on me, I&rsquo;ll pull on you, and we decide to go on.&rdquo; And they do so until a gigantic BOOM! sends them running for home. The storm continues to rage all night, but the next day the sea is calm and they play together on the shore&mdash;as their mother watches. (PreKUp)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:245px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-littlest-drop.jpg?1770736513" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">The Littlest Drop. </span><span style="color:rgb(0, 0, 0); font-weight:700">Sascha Alper. Illus. by Jerry Pinkney &amp; Brian Pinkney. (2025). Anne Schwartz.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">When a wildfire starts, all the animals flee to the riverbank, but a tiny hummingbird takes action to save her nest</span><span style="color:rgb(0, 0, 0)">.</span><span style="color:rgb(0, 0, 0)"> She fills her beak with the littlest drop of water and drips it on the fire, saying, &ldquo;</span><span style="color:rgb(0, 0, 0)">I</span><span style="color:rgb(0, 0, 0)"> am doing what </span><span style="color:rgb(0, 0, 0)">I</span><span style="color:rgb(0, 0, 0)"> can.&rdquo; After an elephant says, &ldquo;Then </span><span style="color:rgb(0, 0, 0)">I</span><span style="color:rgb(0, 0, 0)"> will do what </span><span style="color:rgb(0, 0, 0)">I</span><span style="color:rgb(0, 0, 0)"> can,&rdquo; all the others join in to douse the fire&mdash;and the hummingbird adds one last drop. </span><span style="color:rgb(0, 0, 0)">(author&rsquo;s note, illustrator Brian Pinkey&rsquo;s note) </span><span style="color:rgb(0, 0, 0)">(PreK Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:240px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/making-art.jpg?1770736588" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Making Art. </span><span style="color:rgb(0, 0, 0); font-weight:700">Diana Ejaita. (2025). Rise.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">This child-friendly picture book on making art</span><span style="color:rgb(0, 0, 0)"> </span><span style="color:rgb(0, 0, 0)">invites readers to join a diverse group of young artists in exploring what art is and what it means to them by looking around to find ideas for what to make and what to use. In addressing the reader directly, artist-author Ejaita&rsquo;s message is clear&mdash;art is for everyone and by sharing your art with others, you share yourself. &ldquo;All of your art adds beauty to this Earth.&rdquo; (PreK-Gr 2)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:139px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/max-in-the-land-of-lies.jpg?1770736651" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Max in the Land of Lies: A Tale of World War II </span><span style="color:rgb(0, 0, 0); font-weight:700">(Operation Kinderspion #2)</span><span style="color:rgb(0, 0, 0); font-weight:700">. </span><span style="color:rgb(0, 0, 0); font-weight:700">Adam Gidwidtz. (2025). Dutton. </span><span style="color:rgb(0, 0, 0)">(Gr 3 Up)&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Jewish 13-year-old Max Bretzfeld, who was sent to England through Operation Kindertransport in </span><span style="color:rgb(0, 0, 0)">Max in the House of Spies (</span><span style="color:rgb(0, 0, 0)">2024), returns to Berlin as a child spy for British Intelligence (still accompanied by two mischievous spirits: Stein, a Jewish dybbuk, and Berg, a German kobold). Trained as a specialist in radio technology, Max is tasked with uncovering Nazi propaganda but also secretly searches for his parents.</span><span style="color:rgb(0, 0, 0); font-weight:700"> (</span><span style="color:rgb(0, 0, 0)">author&rsquo;s note, annotated bibliography) </span><span style="color:rgb(0, 0, 0)">(Gr 3 Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:197px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/mushrooms-and-company.jpg?1770736693" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Mushrooms and Company: How a Marvelously Moldy Network Supports Life on Earth. </span><span style="color:rgb(0, 0, 0); font-weight:700">Geert-Jan Roebers. Trans. by Michele Hutchinson. Illus. by Wendy Panders. (2025). Greystone Kids.</span><span style="color:rgb(0, 0, 0); font-weight:700">&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Roebers&rsquo; conversational and information-packed narrative and Panders&rsquo; colorful artwork, drawings of fungi (identified by their common names) and humorous cartoon-style images, as well as some captioned close-up photographs of mushrooms, make this compendium of organisms in the Fungi Kingdom accessible and engaging. The book ends with a &ldquo;Do It Yourself&rdquo; section of activities focused on mushrooms. </span><span style="color:rgb(0, 0, 0)">(translated from Dutch; glossary, index)</span><span style="color:rgb(0, 0, 0)"> (Gr 3 Up)&nbsp; &nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:139px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-nine-moons-of-han-yu-and-luli.jpg?1770736775" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">The Nine Moons of Han Yu and Luli</span><span style="color:rgb(0, 0, 0); font-weight:700">. Karina Yan Glaser. (2025). Allida.</span><span style="color:rgb(0, 0, 0)">&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Parallel stories of two 11-year-olds facing adversity during nine moon cycles are presented through alternating chapters. In 731 CE, during the Tang Dynasty, when his family contract tuberculosis and are quarantined in Chang&rsquo;An, China, Han Yu sets out alone on the dangerous Silk Roads trading route to make a delivery for his father and find a cure. In 1931, during the Great Depression, Luli Lee comes up with a clever plan to save her immigrant parents&rsquo; New York City Chinatown restaurant which faces foreclosure. Cultural themes, animal connections, and a scroll painting with a poem weave the children&rsquo;s lives together as they help their families overcome these disastrous obstacles. </span><span style="color:rgb(71, 70, 70)">(</span><span style="color:rgb(71, 70, 70)">maps, author&rsquo;s note, bibliography</span><span style="color:rgb(71, 70, 70)">)&nbsp;</span><span style="color:rgb(0, 0, 0)">(Gr 3 Up)</span><span style="color:rgb(238, 0, 0)"> </span><span style="color:rgb(0, 0, 0)">&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:240px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/oh-dear-look-what-ive-got.jpg?1770736879" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Oh Dear, Look What I&rsquo;ve Got! </span><span style="color:rgb(0, 0, 0); font-weight:700">Michael Rosen. Illus. by Helen Oxenbury. (2025). Candlewick.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Rosen&rsquo;s rhyming text and Oxenbury&rsquo;s signature pencil-and-watercolor illustrations tell a story about a boy who goes shopping to buy particular items and gets what he does NOT want&mdash;a parrot not a carrot, a cat instead of a hat, a goat not a coat, and so on until he asks for a cup and gets something he does want. &ldquo;Oh dear! / / They gave me a pup! / A wriggly pup . . .&rdquo; The story quickly becomes a guessing game, and ends with a delightful surprise. (PreS Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:206px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/a-place-just-for-me.jpg?1770736936" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">A Place Just for Me. </span><span style="color:rgb(0, 0, 0); font-weight:700">Loredana Baldinucci. Trans. by Monica Meneghetti. Illus. by Melinda Berti. (2025). Greystone Kids.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Silver, the smallest member of the large Mouse family (parents, five siblings, and grandparents), spends the day visiting the homes of neighborhood friends in hope of finding a place that is &ldquo;quiet enough for him to do nothing at all.&rdquo; None feel just right, so he heads for home and finds that Mom has a surprise for him, a cozy spot with a &ldquo;Silver&rsquo;s Quiet Space&rdquo; sign in their home under an old elm tree. </span><span style="color:rgb(0, 0, 0)">(translated from Italian).</span><span style="color:rgb(0, 0, 0)"> (PreK Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:231px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/a-pond-a-poet-and-three-pests.jpg?1770737033" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">A Pond, a Poet, and Three Pests. </span><span style="color:rgb(0, 0, 0); font-weight:700">Caroline Adderson. Illus. by Lauren Tamaki. (2025). Groundwood.&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">In this beautifully-crafted picture book inspired by Matsuo Bash&#333;&rsquo;s &ldquo;The Old Pond,&rdquo; as the poet meditates at a pond, a carp, a lily, and a mosquito in turn try to attract his attention. However, it is a frog whose decision not to let the &ldquo;three pests&rdquo; and the pensive poet stop his midnight swim leads to his being immortalized in a poem. &ldquo;Old pond&mdash; / Frog Jumps in. / Splash!&rdquo; </span><span style="color:rgb(0, 0, 0)">(author&rsquo;s note)</span><span style="color:rgb(0, 0, 0)"> (PreK Up)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:141px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/real-life-disasters.jpg?1770737140" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Real-Life Disasters </span><span style="color:rgb(0, 0, 0); font-weight:700">(The Danger Files #1)</span><span style="color:rgb(0, 0, 0); font-weight:700">. </span><span style="color:rgb(0, 0, 0); font-weight:700">Anna Crowley Redding. Illus. by Robbie Cathro. (2025). Candlewick.&nbsp;</span></span><br /><span><span style="color:rgb(0, 0, 0)">Redding invites readers to play disaster detective by giving access to the Danger Files of five disasters: the Great Chicago Fire (October 8-10, 1871), the sinking of the </span><span style="color:rgb(0, 0, 0)">Titanic </span><span style="color:rgb(0, 0, 0)">(April 15, 1912), the Spanish Flu pandemic (1918-1920), the Boston Molasses Flood (January 15, 1919), and the Hindenburg disaster (May 6, 1937).</span><span style="color:rgb(0, 0, 0)"> </span><span style="color:rgb(0, 0, 0)">The narrative text with &ldquo;Fact Files,&rdquo; &ldquo;Danger Clues,&rdquo; and &ldquo;Impact!&rdquo; insets and Cathro&rsquo;s cartoon-like illustrations are engaging. </span><span style="color:rgb(0, 0, 0)">(author&rsquo;s note, source notes, bibliography, index)</span><span style="color:rgb(0, 0, 0)"> (Gr 3-5)&nbsp;</span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:234px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/this-is-orange-a-field-trip-through-color.jpg?1770737199" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">This Is Orange: A Field Trip Through Color. </span><span style="color:rgb(0, 0, 0); font-weight:700">Rachel Poliquin. Illus. by Julie Morstad. (2025). Candlewick.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">&ldquo;We must begin with the orange. / So very orange. / So deliciously round and sweet.&rdquo; Poliquin&rsquo;s lyrical text, filled with facts and stories about the color orange, including the etymology of the word orange and its cultural and historical significance, is paired with Morstad&rsquo;s mixed-media artwork created in a variety of orange hues. This intriguing &ldquo;field trip through color&rdquo; ends with a challenge to readers to find orange in their world. (PreK Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:209px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/where-are-you-bronte.jpg?1770737362" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Where Are You, Bront&euml;? </span><span style="color:rgb(0, 0, 0); font-weight:700">Tomie dePaola. Illus. by Barbara McClintock. (2025). Simon &amp; Schuster.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">Tomie dePaola&rsquo;s picture book, published posthumously, is a moving ode to his dog, Bront&euml;. Headings of &lsquo;Where Are You, Bront&euml;? complement vignettes in which his simple first-person text and McLintock&rsquo;s illustrations (which reflect dePaola&rsquo;s style) in paneled, full-page, and double-page spreads celebrate their twelve and a half years together&mdash;from Bront&euml;&rsquo;s arrival at the Chicago airport to as a puppy, to shared joyful days, to his maneuvering the world after going blind, to his death&mdash;a well as dePaola&rsquo;s period of mourning, missing his beloved companion with his heart forever filled with special memories. </span><span style="color:rgb(0, 0, 0)">(illustrator&rsquo;s note)</span><span style="color:rgb(0, 0, 0)"> (PreK-Gr 2)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:149px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/xolo-how-one-good-dog-saved-humankind.jpg?1770737415" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><span style="color:rgb(0, 0, 0); font-weight:700">Xolo: How One Good Dog Saved Humankind. </span><span style="color:rgb(0, 0, 0); font-weight:700">Dona Barba Higuera. Illus. by Mariana Ruiz Johnson. (2025). Levine Querido.&nbsp;</span></span><br /><span></span><span><span style="color:rgb(0, 0, 0)">In Higuera&rsquo;s reimagining of the Aztec myth in which the feathered serpent god of wind Quetzalcoatl is credited with bringing humans back to Earth from the underworld, his twin brother Xolotl, the dog-headed god of lightning, death, and misfortune, tells his version of what really happened. &ldquo;I had not only created man&rsquo;s best friend. I was man&rsquo;s best friend.&rdquo; Johnson&rsquo;s vibrant stylized artwork, inspired by the pre-Columbian Mexican Codex Borgia, for this captivating graphic novel is magnificent. </span><span style="color:rgb(0, 0, 0)">(author&rsquo;s note, illustrator&rsquo;s note)</span><span style="color:rgb(0, 0, 0)"> (Gr 3 Up)&nbsp;</span></span><br /><span></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="paragraph"><span><span style="color:rgb(0, 0, 0); font-weight:700">Nancy Brashear </span><span style="color:rgb(0, 0, 0)">is Professor Emeritus of English at Azusa Pacific University, in Azusa, California. </span><span style="color:rgb(0, 0, 0); font-weight:700">Carolyn Angus</span><span style="color:rgb(0, 0, 0)"> is former Director of the George G. Stone Center for Children&rsquo;s Books, Claremont Graduate University, in Claremont, California.&nbsp;</span></span><br /></div>]]></content:encoded></item><item><title><![CDATA[Looking Back at 2025 Fiction]]></title><link><![CDATA[https://www.clrsig.org/book-reviews/looking-back-at-2025-fiction]]></link><comments><![CDATA[https://www.clrsig.org/book-reviews/looking-back-at-2025-fiction#comments]]></comments><pubDate>Mon, 26 Jan 2026 17:43:20 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.clrsig.org/book-reviews/looking-back-at-2025-fiction</guid><description><![CDATA[&#8203;Nancy Brashear and Carolyn AngusAs we have done for many years, we both read extensively in all subgenres&mdash;fromwordless picture books and beginning readers to graphic novels and dystopian sciencefiction&mdash;and recommended to each other our &ldquo;you-must-read-this&rdquo; favorites throughoutthe year. By December we had a lot of books to consider for inclusion on our LookingBack at 2025 Fiction list.&#8203;   Bad Badger: A Love Story. Maryrose Wood. Illus. by Giulia Ghigini. (2025 [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><strong><font color="#2a2a2a">&#8203;Nancy Brashear and Carolyn Angus</font></strong><br /><font color="#818181">As we have done for many years, we both read extensively in all subgenres&mdash;from<br />wordless picture books and beginning readers to graphic novels and dystopian science<br />fiction&mdash;and recommended to each other our &ldquo;you-must-read-this&rdquo; favorites throughout<br />the year. By December we had a lot of books to consider for inclusion on our Looking<br />Back at 2025 Fiction list.&#8203;</font></div>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:138px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/bad-badger.jpg?1769452083" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Bad Badger: A Love Story. Maryrose Wood. Illus. by Giulia Ghigini. (2025). Union<br />Square Kids.</font></strong><br /><font color="#626262">Septimus sometimes wonders if he even is a badger or just a bad badger because of&nbsp;his un-badgerish characteristics. When a gull starts visiting him each Wednesday and&nbsp;then abruptly stops coming around, Septimus worries that he is also bad at being a&nbsp;friend and sets out to locate his new friend and try to make things right. Wood&rsquo;s strong<br />story-telling voice makes this chapter book about an unlikely friendship a good choice&nbsp;for reading aloud as well as for independent reading. (Gr 3-5)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:126px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/beasts.jpg?1769452141" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Beasts. Ingvild Bjerkeland. Trans. by Rosie Hedger. (2025). Levine Querido.</font></strong><br /><font color="#626262">Gigantic two-legged hairy beasts are decimating the population of Norway. When their&nbsp;mother is killed, 13-year-old Abdi escapes with his five-year-old sister, Alva. Bjerkeland&nbsp;gives a fast-paced account of their traumatic trek to the port of Djupvik hoping to board&nbsp;a ship to Fair Isle in the North Sea and reunite with their father, who is conducting<br />ornithological research there. Beasts ends on a hopeful but realistic note with the&nbsp;siblings aboard a tiny, over-crowded boat and Abdi whispering &ldquo;We will be home soon. I&nbsp;promise.&rdquo; to Alva. (translated from Norwegian) (Gr 6 Up)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:216px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/cat-nap.jpg?1769452213" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Cat Nap. Brian Lies. (2025). Greenwillow.</font></strong><br /><font color="#626262">Awakened from his nap, Kitten sees a mouse escaping into a framed poster on the wall&nbsp;of the Metropolitan Museum of Art. &ldquo;Does Kitten follow? Of course he does.&rdquo; Lies&rsquo;&nbsp;artwork adds to this playful story by depicting the cat and the mouse in the style of each&nbsp;masterpiece they race through during the cat-and-mouse game that follows.<br />(information on how Lies made the art for the book and the real art from different periods in history in the museum&rsquo;s collection). (PreK Up)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:142px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/elena-camps.jpg?1769452255" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Elena Camps (Elena #2). Juana Medina. (2025). Candlewick.</font></strong><br /><font color="#626262">Elena, the purple elephant Medina introduced to beginning readers in Elena Rides&nbsp;(2023), is confident that she can assemble her new TENT-O-MATIC all by herself. After&nbsp;a few entanglements and mishaps, frustrated Elena decides that it&rsquo;s time to accept a little help. After reading and following the step-by-step instructions on the sheet of paper&nbsp;her sidekick, a little red bird, has found on the ground&nbsp;&ldquo;TA-DA!&rdquo; The tent is up&nbsp;and ready for Elena and her friend to sleep in. (PreK-Gr 2)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:204px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/every-monday-mabel.jpg?1769452338" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Every Monday Mabel. Jashar Awan. (2025). Simon &amp;amp; Schuster.</font></strong><br /><font color="#626262">It&rsquo;s Monday, Mabel&rsquo;s favorite day of the week, and she doesn&rsquo;t want to miss the most exciting thing of all. Waking up early, she rushes to gather her breakfast, drags her&nbsp;favorite chair to sit alone at the top of the driveway, and waits. &ldquo;RRRRRRRRRRRRR! //&nbsp;Until . . . HONK HONK! It&rsquo;s here!&rdquo; After the garbage truck has grabbed and emptied the&nbsp;trash can, the truck moves on with a friendly &ldquo;HONK HONK!&rdquo; to continue its busy day in&nbsp;nearby neighborhoods where others are watching for the arrival of what Mabel knows is<br />the &ldquo;best thing in the world.&rdquo; (PreS Up)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:136px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/it-s-all-or-nothing-vale.jpg?1769452375" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">&nbsp;All or Nothing, Vale. Andrea Beatriz Arango. (2025). Random House.</font></strong><br /><font color="#626262">In this emotive verse novel, Puerto Rican seventh grader Valentina (Vale), a top fencer,&nbsp;faces the possibility of being permanently disabled following serious injury to her legs in&nbsp;a motorbike accident. After months of physical therapy, pushing through persistent pain&nbsp;and spurred on by Mami&rsquo;s mantra, &ldquo;O todo o nada,&rdquo; Vale returns to her gym and&nbsp;confronts a new competitive fencer, Cuban American Myrka. As she develops an&nbsp;uneasy relationship with Myrka, Vale must grapple with the ever-present burning&nbsp;question in her heart: Who am I if I&rsquo;m not the best fencer? (author&rsquo;s note) (Gr 6-8)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:160px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/late-today.jpg?1769452455" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Late Today. Jungyoon Huh. Trans. by Aerin Park. Illus. by Myungae Lee. (2025).<br />Eerdmans.</font></strong><br /><font color="#515151">On a rainy morning, a kitten darts back and forth trying to get across a bridge in Seoul&nbsp;that is congested with traffic. Cars screech and honk, and the kitten mews. A driver who&nbsp;can no longer see the kitten pulls over and hurries out into the heavy downpour. Hearing<br />a mewing coming from under a car, she finds the quivering kitten. &ldquo;We all were late. But&nbsp;it&rsquo;s okay. Today was a good day to be late.&rdquo; (translated from Korean) (PreK Up)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:145px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/oasis.jpg?1769452477" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">&#8203;Oasis. Guojing. (2025). Godwin.</font></strong><br /><font color="#626262">JieJie and her younger brother, Didi, struggle to survive on their own while their mother&nbsp;works day and night shifts in an underground factory in Oasis City, an area domed off&nbsp;from the rest of the barely inhabitable world. When they come upon parts of a robot in a&nbsp;landfill in the desert wasteland outside of the city, JieJie successfully reassembles it.&nbsp;After putting it in &ldquo;Mother Mode,&rdquo; they have an AI mom, a caregiver who will keep them&nbsp;safe until their mother comes home. Guojing&rsquo;s softly shaded artwork sets the scene for&nbsp;this thought-provoking graphic novel that has a hopeful yet uncertain ending. (Gr 3 Up)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:234px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/pilgrim-codex.jpg?1769452498" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Pilgrim Codex. Vivian Mansour. Trans. by Carlos Rodriguez Cortez. Illus. by<br />Emmanuel Valtierra. (2025). Levine Querido.</font></strong><br />Valtierra&rsquo;s stylistic bold black-line and richly -colored artwork influenced by Mixtec&nbsp;codices and Mansour&rsquo;s text inspired by Aztec mythology tell the evocative story,<br />narrated by a young boy, of the Vargas Ram&iacute;rez family and friends&rsquo; trek north from their&nbsp;home in Mexico in search of a better life. Overcoming life-and-death hardships at each&nbsp;stage of their perilous journey, they arrive at their destinations as brave Migrant&nbsp;Warriors. Pilgrim Codex, originally published in Mexico as C&oacute;dice peregrino, translates&nbsp;well to discussions of the plight of modern-day immigrants. (author&rsquo;s note, glossary)&nbsp;(PreK Up)</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:218px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/a-place-for-us.jpg?1769452530" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">A Place for Us. James E. Ransome. (2025). Nancy Paulsen.</font></strong><br /><font color="#515151">This evocative wordless book opens with a young boy high-fiving a classmate at the&nbsp;end of the school day as his mother picks him up. Following a meal at a fast-food<br />restaurant, they go to the library until closing time. They find a park bench where he&nbsp;sleeps while his mother watches vigilantly throughout the night. The next morning, she&nbsp;helps him dress in clean clothes and brush his teeth at a water fountain before walking&nbsp;him to school where no one knows they are two of the city&rsquo;s many houseless. (author&rsquo;s&nbsp;note) (PreK-Gr 2)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:126px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/pocket-bear.jpg?1769452550" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Pocket Bear. Katherine Applegate. Illus. by Charles Santoso. (2025). Feiwel and<br />Friends.</font></strong><br /><font color="#515151">Zephyrina (aka the Robin Hood of felines), a cat who rescues abandoned items, lives&nbsp;with Elizaveta and Dasha, a Ukrainian refugee mother-daughter duo who recondition&nbsp;and rehome toys, unsuspecting that they come alive nightly, led by Pocket, a tiny&nbsp;American comfort bear created for World War I soldiers. After Zephyrina drags Berwon&nbsp;home from a dumpster, Pocket suspects he is one of the lost first-ever soldier Teddy<br />Bears made in Germany. When Victoria Dankworth, a &ldquo;picker,&rdquo; kidnaps Berwon to&nbsp;auction him for a fortune, clever Zephyrina brings this poignant story to a satisfying&nbsp;conclusion. (author&rsquo;s note) (Gr 3 Up)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:139px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/rebellion-1776.jpg?1769452578" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Rebellion 1776. Laurie Halse Anderson. (2025). Caitlyn Dlouhy.</font></strong><br /><font color="#515151">Following the loss of her job as a kitchen maid for a Loyalist judge during the Siege of&nbsp;Boston and the mysterious disappearance of her pappa, 13-year-old Elsbeth Culpepper&nbsp;begins working for Mr. Pike (a former Patriot spy) and his rambunctious family who&nbsp;moved into the judge&rsquo;s home. Although slowed down by the smallpox outbreak ripping&nbsp;through Boston, a growing friendship with Hannah Pike and her continued search for&nbsp;her father keep her going as she uncovers the truth. Anderson&rsquo;s strong storytelling voice&nbsp;brings this period of U.S. history to life for readers. (map, bibliography, sources,&nbsp;references) (Gr 6 Up)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:140px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/song-of-a-blackbird.jpg?1769452628" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Song of a Blackbird. Maria van Lieshout. (2025). First Second.</font></strong><br /><font color="#515151">A blackbird narrates this beautifully-crafted graphic novel which intertwines two stories&nbsp;set in Amsterdam that come together in the epilogue. In one story set in the mid-1940s&nbsp;during the Nazi-occupation, teenager Emma joins the Dutch Resistance. In the other<br />story set in 2011, Annick investigates her family history following clues presented by five&nbsp;prints of buildings in the city: a theater, a school, a church, an office, and a publisher.&nbsp;(translated from Dutch; maps, extensive notes about the real people, places, and events&nbsp;that inspired the novel; bibliography) (Gr 9-12)</font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:136px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/sunrise-on-the-reaping.jpg?1769452657" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Sunrise on the Reaping (Hunger Games #5). Suzanne Collins. (2025). Scholastic.</font></strong><br />Sunrise on the Reaping takes place 24 years before Collins&rsquo; dystopian series opener,&nbsp;The Hunger Games. Sixteen-year-old Haymitch Abernathy is illegally &ldquo;reaped&rdquo; to be one&nbsp;of District Twelve&rsquo;s four tributes to compete in the Fiftieth Hunger Games, where tributes&nbsp;from all the districts will fight to their deaths. Only one survivor will bring glory to their district. The original series includes three books, The Hunger Games (2008), Catching&nbsp;Fire (2009), and Mockingjay (2010), followed by prequels, The Ballad of Songbirds and&nbsp;Snakes (2020) and Sunrise on the Reaping (2025). (Gr 6 Up)</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:132px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-teacher-of-nomad-land.jpg?1769452682" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">The Teacher of Nomad Land: A World War II Story. Daniel Nayeri. (2025). Levine<br />Querido.</font></strong><br />Thirteen-year-old Babak and eight-year-old Sana are orphaned when their father is&nbsp;killed during the Anglo-Soviet invasion of Iran in 1941. After they are taken in by&nbsp;different family members in Isfahan, Babak decides to flee with Sana into the Zagros&nbsp;Mountains hoping to find the Bakhtiari during their annual migration and be accepted as&nbsp;the reading teacher to the nomadic people their father once taught. (map of Iran during&nbsp;WW II, author&rsquo;s note, further reading) (Gr 3 Up)</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:135px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-trouble-with-heroes.jpg?1769452710" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">&#8203;The Trouble with Heroes. Kate Messner. (2025). Bloomsbury.</font></strong><br />When 13-year-old Finn Connelly is charged with vandalizing the headstone of Edna&nbsp;Grace Thomas, a renowned mountain climber, and faces a large fine, Edna&rsquo;s daughter&nbsp;agrees to drop the charges if Finn climbs all 46 of the Adirondack High Peaks with&nbsp;Edna&rsquo;s dog over the summer. He also needs to finish an incomplete assignment, a<br />poetry project about heroes, if he is to pass seventh grade. Messner&rsquo;s verse novel,&nbsp;written in first person, chronicles Finn&rsquo;s summer adventure in which he begins to deal&nbsp;with personal problems related to the death of his fireman father and what it means to&nbsp;be a hero. (author&rsquo;s note) (Gr 6-8)</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:139px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-undead-fox-of-deadwood-forest.jpg?1769452736" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">&nbsp;The Undead Fox of Deadwood Forest. Aubrey Hartman. Illus. by Marcin Minor.&nbsp;(2025). Little, Brown.</font></strong><br />Clare, the solitary undead (neither alive nor dead) fox of Deadwood Forest, is the Usher,&nbsp;who guides wandering souls toward the realm of the Afterlife where they will be most&nbsp;comfortable. When he is confronted by Gingersnape, a badger who seems unable to&nbsp;move on and keeps showing up at his door, Clare must deal with the probability that&nbsp;Gingersnapes is his replacement and it is time for him to make his way to the Afterlife.&nbsp;(Gr 3-5)</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:219px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/vida.jpg?1769452783" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Vida: The Mice, the Cat and the Alebrije. Duncan Tonatiuh. (2025). Abrams.</font></strong><br />Mousetepec was a lively town where Vida and M&aacute;ximo helped their mother sell pi&ntilde;atas&nbsp;in the mercado and enjoyed spending Saturdays at the plaza where the mousefolk&nbsp;gathered to dance to the music of their father&rsquo;s banda&mdash;until a gato began stalking the&nbsp;residents. It is Vida, who, after dreaming about an encounter with an alebrije, comes up&nbsp;with a plan to have the community create a huge, colorful, and menacing papier-m&acirc;ch&eacute;&nbsp;creature to scare the cat away. (notes on alebrijes and Vida, glossary, bibliography)&nbsp;(PreK Up)</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:134px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/the-village-beyond-the-mist.jpg?1769452821" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">The Village Beyond the Mist. Sachiko Kashiwaba. Trans. by Avery Fischer&nbsp;Udagawa. Illus. by Miho Satake. (2025). Yonder.</font></strong><br />When Lina Uesugi&rsquo;s father sends her to spend the summer in Misty Valley and no one is at the train station to pick her up, it is the red-dotted umbrella he gave her that&nbsp;unexpectedly leads her to the tiny magical village hidden in a forest (known by its few&nbsp;inhabitants as Absurd Avenue). Finding her way to Picotto Hall, Lina learns from the<br />proprietor that she will be helping out village shopkeepers in exchange for her board.&nbsp;(author&rsquo;s note from the original 1975 Japanese edition) (Gr 3 Up)</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:138px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.clrsig.org/uploads/1/1/5/0/115059369/published/will-s-race-for-home.jpg?1769452856" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">Will&rsquo;s Race for Home: A Western. Jewel Parker Rhodes. Illus. by Olga Ivanov &amp;&nbsp;Aleskey Ivanov. (2025). Little, Brown.</font></strong><br />Black 12-year-old Will and his father, a former slave who won&rsquo;t speak about his&nbsp;childhood and strives to shelter him from danger, leave their Texas sharecrop farm on a&nbsp;400-mile trek determined to claim 160 acres in the 1889 Oklahoma Land Rush for their&nbsp;family. Forced to grow up quickly, Will conquers life-and-death situations such as saving&nbsp;their wagon and mule from quicksand while crossing the Red River and defending their&nbsp;claim against threatening white claim jumpers. (afterword). (Gr 6-8)</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="paragraph"><strong><font color="#2a2a2a">&#8203;Nancy Brashear </font></strong>is Professor Emeritus of English at Azusa Pacific University, in Azusa,<br />California. <strong><font color="#2a2a2a">Carolyn Angus </font></strong>is former Director of the George G. Stone Center for<br />Children&rsquo;s Books, Claremont Graduate University, in Claremont, California.</div>]]></content:encoded></item></channel></rss>